The events leading to the story’s climactic title fight are interesting retellings from the primary characters’ differing perspectives. Each testimony includes several of the same events, with the perspectives and some dialogue changed to accommodate which character is providing the information.

This is an interesting concept that isn’t often used in film; it requires scenes being filmed with multiple variations, with certain sequences feeling shorter or protracted depending on which character provides the account.

This technique was most famously used in the Japanese film “Rashomon,” directed by Akira Kurosawa in 1950. That film also centered on multiple retellings of a young woman’s assault and claims against her credibility.

The performances are fantastic, though it feels odd so many American actors were cast when French characters have notably and historically been portrayed by British actors and actresses. Regardless, the performances are quite believable.

Scott is at his best when directing character-driven films such as this; the attention to detail for the sets, the costuming and the historical period all play to his strengths. The dialogue does feel a little stilted, but we’re talking about an era when pomp and circumstance overshadow simple conversation.

The film’s use of different perspectives feels a little disjointed at first; some of the early scenes feel rushed and you’re not sure as an audience member how much time has passed between one event and the next. That changes when the viewer realizes they are getting the same story from three different angles.